![]() ![]() Notice how much the colors shift after it’s applied to the footage. One type of LUT is a “creative LUT,” and it’s used to add a specific look to your footage. LUTs are used in a couple of different ways - here’s a breakdown! Creative LUT Simply put, LUTs are like a filter, but more accurately, a color-grade-preset for your footage. ![]() A LUT is like a spreadsheet that accounts for every possible color an image can have and says this color should actually look like this color. The term “Look Up Table” sounds a bit mathematical–and in a sense it is!Ī digital image is made up of pixels, and each pixel is made up of colors. Let’s discuss all things LUTs, shall we? What is a LUT? In this guide, our Senior Video Producer, Stephen Petto, explains the basics of LUTs, types of LUTs and how they’re used, as well as how to apply and adjust a LUT in Adobe Premiere Pro and Final Cut Pro. If you’re wondering how you can get started with color grading to speed up your workflow and produce better looking footage for your business, we’ve got you covered. ![]() We’ll have you know you don’t need to be working on a film to use LUTs to help personalize and brand your videos. That’s why many filmmakers, editors, and colorists who are working on a film use Look Up Tables, or LUTs, to save color grades as templates to help speed up the process. The other option is to finish and export the master from Resolve.Color grading is one way to improve the appearance of your footage and serve your storytelling vision. So you do bake-in whatever you did in Resolve, and then round-trip it back into FCP for final finishing and export (if you want to finish in FCP). Maybe I'm old-school, but I still see DaVinci as a color tool mostly, lol. ![]() Doesn't mean that Resolve hasn't seen uptake in its capacity as an NLE in recent years, but Avid/Premiere/FCP->Resolve for color is very common. This is actually the MOST common way to do it for mid-high end projects that require the services of a colorist, and has been for many years. Personally, I see Final Cut as a better pure NLE, so your desire to cut in it and then do color in Resolve is a good, proven workflow. Other NLEs started as picture editors and then added and advanced their color grading toolset, so they approached it from the opposite end. It has the deepest color grading feature set as a result of this specialization. It started out purely as a color grading tool and almost all high-end colorists have used it and continue to use it. Resolve is the standard for grading because of its long pedigree and concentration in that area. Sorry if the questions are stupid, I'm just trying to learn as much as I can :) it just seems WAAAAAAAAY more sophisticated in Resolve than Final Cut. Do any serious professionals use Final Cut for color grading at all or is color grading in Final Cut more of a "on the side" functionality? I mean, the settings, the tools, the workflow. Is that process destructive in any way? For example, if my final target codec will be ProRes 422 (after Final Cut) and I render ProRes 422 from Resolve and import it in Final Cut to edit it, will it recognize that I'm editing ProRes and simply let the files as it is upon rendering or will it do destructive processing to them?Īlso, a question on the side: Is Davinci Resolve industry standard because it has way better tools, flexibility and workflow for color grading (= simply a better and more advanced software for that purpose) than Final Cut? I ask because it seems this way to me, but I want to confirm it. Thanks for your answer! I didn't think about masks and such, but that makes sense! ![]()
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